The rise and development of Neo-Romanticism in literatureThe term Neo-Romanticism is said to have been used for the first time by Friedrich Schlegel. Schlegel was a German poet who was very critical in his literary work. Neo-romanticism refers precisely to the movement born between 1880 and 1910 in the fields of literature, philosophy, music, painting and architecture. In his own words, Schlegel defines it as “literature describing emotional matter in an imaginative form.” "This simply implies that it was a reaction to the then popular realist and idealist ideologies that had been imposed on the people at the time (Mellor 173). However, with the growing urge for liberalism and freedom, the Academics and other thinkers needed to have the opportunity to exercise their thinking without unnecessarily conforming to any rules. After the origin of this movement, it spread to different corners of the world in which it was adopted by. the people For example, in the United States it was introduced by Allen Ginsberg while in Japan it was Yasuda Yojūrō by Eugene Berman Greece by Ulysses Elytis; to the works of Antoni Lange and who was actively involved in the activities of the Young Poland movement (Clarke and Clarke 27 The main reason for the rise of neo-romanticism was to oppose the realism that had dominated the minds of many). writers by rejecting realism means that literary scholars would no longer have to do the following. Firstly, they would not be obliged to incorporate the emotional element into their works. This is one of the techniques defended by realists (Hopkins 97). Since they abandoned the use of romantic conventions, the real middle of paper was the creation of knowledge from nothing rather than the historical past. Nevertheless, it is important to recognize that neo-romanticism is a past movement. It still exists because many contemporary writers still subscribe to it. It is practiced by several artists from different parts of the world, but mainly in the form of underground movements. Some of these artists are Ted Hughes; Angela Carter; Peter Ackroyd; Russell Hoban; and Pauline Stainer. Thanks to their dedication, neo-romanticism is still practiced since it is felt in their rich writings and in those of other writers who worked under the aegis of fantastic art; Regionalisms; Neofolk; New romantic; and neopaganist movements. Through them, the ideas of ne-romanticism still exist. This demonstrates that it was a real ideology that profoundly transformed the literary community..