Berry Jenkins' intimate film Moonlight follows the struggle of a sensitive young black man as he attempts to find himself against his society's expectations of masculinity and identity. Moonlight was loosely adapted from an unpublished play by Tarell McCraney called Black Boys Look Blue. In Moonlight, we follow Shyrone through three chapters of her life, following three phases of her life that stand out in form and execution. The story is as much about staged masculinity as it is about growing up gay. And in both cases, it aims to challenge commonly held stereotypes about black men. He is pressured by his hyper-masculine Miami environment to deny these feelings and his sexuality. Even if you don't feel the same emotions, it taps into many emotions that we all might feel because we are all different people at different stages of our lives. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay The film is notable for its three-act structure. This highlights the fragility, mutability and complexity of a person's identity over time. By choosing three different actors for the three different moments in Shyrone's life. It first begins with the lost young Little whose nicknames are an insult and a name he must reject. Teenager Sygone who struggles with her mother's growing addictions. And finally the hardened black man who puts on a gangster's cloak to repress himself. This reinstates the idea that we are not all the same people at different stages of our lives. This continuity between the actor's performances but to an outsider, it's not the same person. Choice explores the relationship between an external personality and an internal personality. Chiron's identity still interacts in this community shaped by how they perceive and label him. And come back to how he reacts to this perception. As playwright McCraney said, the key point of the story is that the community knows things about him before he knows them about himself. People want to put him in a category before he even understands what that means. The structure reveals the struggle for one's self-awareness. At the same time, there is a particular story of the young black man who is trapped by his society's expectations of masculinity. Meanwhile, he escapes a force in a genuine character with the help of a few who throw him a lifeline. Still based on Terrell's play, in the moonlight black boys look blue. Director Barry Jenkins how to somehow adapt the play to the camera work and sound. Moonlight created through him a triumph of expressive camera and sound. It's not just that it looks and sounds good. Every camera choice and sound design from Jenkins and cinematographer James Lassen has a clear purpose built into the story. They always strive to express Chiron's internal world from moment to moment. The opening scene gives us a big, swirling wide shot, it tells us that this martial law character, Ollie's Quan, is an important man in town and a calm, cool drug dealer who has status. Like the camera, it shows that it is smooth. The next scene after this plunged us into the opposite sense of discomfort, with an extremely shaky handheld camera. This tells us that few things are uncertain and insecure. We are placed in his perspective by the overwhelming sound of stones and objects thrown at the door by the bullies. We feel how trapped and terrified he is..