Daniel H. Pink suggests that "anmoku no ryokai is at the heart of a new business model, because allowing consumers to produce maintains fans' interest in the work, cultivates new talents among amateur artists and offers a free market. research into what's popular and what people want. (Galbraith) Still according to Yasuhiro Arai, author of Copyright Infringement as user Innovation, “anime and other industries can benefit from doujinshi. Doujinshi markets provide a possible source of talented creators, serve to promote sales of original works, and provide new styles and ideas that can be incorporated into commercial anime and manga. (Arai) Arai also argues that "the weak incentive for copyright holders to sue caused the positive externalities of doujinshi to become relatively large and thus stimulated the creation of new styles and ideas by Sakuru, which have improved the international competitiveness of Japanese anime and manga. industries. » (Arai) Keiji Takeda, another main organizer of doujinshi gatherings in Japan, has this to say on the matter: “Doujinshi creates a market base, and that market base is naturally attracted to the original work. This is where we find the next generation of authors. Publishers understand the importance of not destroying that, and as manga weeklies falter and decline, new talent is more important than ever. (Pink) Anmoku no ryokai is not only a skillful way to avoid conflict, it is also a business