Table of contentsTchaikovsky Romeo and Juliet, Fantastic Overture (1870) Composed by: Joseph GiuntaTchaikovsky Serenade for strings in C major, op. 48 (1881) Composed by: Joseph Giunta Tchaikovsky's Violin Concerto in D major, op. 35 (1881) Composed by: Joseph GiuntaTchaikovsky Polonaise & Valse d'Eugène Onegin, Op. 24 (1879) Composed by: Joseph GiuntaWorks CitedIn this essay I will report on the classical music concert I attended. It was the first classical music concert I had attended in my life, so I guess I didn't really know what to expect. As we passed the glass facade of the civic center, we quickly realized that we looked a little underdressed, considering that three-quarters of the people in the building were wearing tuxedos and we were here with dress pants and button-down shirts that looked just like us. were in the wrong place. When we entered the building, I could see that the concert hall itself was also much more than I expected. The red carpet all around and the fancy tapestries also made us feel like we were in the wrong place. That being said, the architectural layout of the building is pretty cool to see, but what I love are the stairs leading up to the auditorium itself. I don't know exactly what I loved so much about them, but I did. Once we went up the stairs and opened the doors to the concert hall, I laughed a little when I saw the red, blue, and green seats they had in there. I found it quite funny how everything else in the civic center was so dressed up, except for the seats. That aside, the lighting and acoustics were really good. Just like in a movie theater, the lights were dim but obviously bright enough to see and they dimmed to darkness as the show began to focus on the well-lit stage. The acoustics of the hall were also very good as almost every square inch of the building had some sort of sound-absorbing surface which again placed emphasis on the sound of the instruments. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay We were seated in the front section of row N, so we were in the right rear of the best seats. I thought we got a pretty good deal as a few seats above the seats were $70 and we got ours back for $20. From our ears we could see everything, but I would say our best view was seeing all the violinists synchronizing so well. . The stage walls were wooden and shaped like a tornado siren and I assumed they shaped them that way to project sound better. Also, I noticed that there were no sound deadening devices on stage, which makes sense because they would want to dampen the sound outside of the stage mouth and not where they play. As the lights dimmed and the concert was about to begin, the entire crowd fell silent. Like you could hear a pin drop from any part of the room. At this particular concert, no decorations or sets were on display. This is probably because he was as classic as a classic convert could be. Before the concert, all the artists were on stage, playing their instruments to their own melody to check if their instruments were in tune. Plus, I'm sure they were practicing complicated games and usually just getting ready to start. When they stopped playingand the lights dimmed, conductor Joseph Giunta came out to begin the show. Now, in this concert report, I will talk about the preformed pieces.Tchaikovsky's Romeo and Juliet, Fantastic Overture (1870) Composed by: Joseph GiuntaIn the beginning, this song starts very gently and only builds from there. At the beginning, there is only one melodic line but little by little melodic lines are added to create a polyphony. Shortly after those deep cello notes were played, it added a sort of darker emotion that sort of foreshadowed the evil to come. But soon after, we hear a hopeful melody. For the rest of the piece, we hear this back and forth between light and darkness. As the song progresses, we can hear the tempo speeding up and more melody lines are also added. What I enjoyed the most was seeing all the violinists totally in sync when they played. I also enjoyed listening to the melody lines bounce around to show the images depicted. Overall, this track was really cool to hear and see because of the musical quality and emotional projection they achieved. Another thing I noticed was that they also kept going back to the same melody of the song. Tchaikovsky Serenade for strings in C major, op. 48 (1881) Composed by: Joseph Giunta This piece was written as a tribute to one of Tchaikovsky's greatest influences and that would be Mozart. The first movement is the development of the sonata structure. The introduction is significant for several reasons, some of which will not be evident until the end of the work. This is an excellent and rich chorale, largely composed for the entire ensemble. The main theme continues and contains a particularly athletic entry for the cello, playing dozens of fast notes beneath a slower section of the upper strings. The second movement is rather playful and uplifting. The consonant movements are varied and regularly abrupt and in all cases skillfully executed. The surface is to some extent a departure from past development in that there is a recognizable softness of touch to the three-step waltz. The idea is that the whole thing appears light and rich; it is, all things considered, a waltz in three parts. The third movement, called "Elegy", is surely the kind of immediate, enthusiastic and very melodious composition for which Tchaikovsky is known. The friendship is strong and evocative, always the perfect support for the melancholy songs heard above. The end of the development is particularly interesting, as it "grows dull" as the strings move from the typical notes played to the music, giving an almost frightening glow to the last harmony. The last and final movement is the Finale. This moderate and peaceful area, in the light of a tune of Russian society, remains as an unmistakable difference deep in the development, which is an extremely rhythmic and frolic finale dependent on another song of the Russian people - this time a tune moving. This air of movement is distorted and gives the symphony a fairly intense exercise. It is as if the piece is constantly building, seemingly getting faster and faster, until Tchaikovsky channels the innovation and eccentricities of his beloved Mozart.Tchaikovsky Violin Concerto in D Major, Op. 35 (1881) Composed by: Joseph GiuntaGil Shaham is the performing violinist. First of all, I would like to add the comment about Gil Shaham's incredible talent in playing the violin. This guy can really play. Let's talk about this piece, this work is loaded with verse melodies reminiscent of Slavic and Russian folk songs. 24].