Based on a semiotic approach, this essay will explore the way in which cinematic signs and codes give meaning to the film Blonde Girl's Revenge a blonde. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”?Get the original essaySemiotics is the study of signs and sign-using behavior. It was defined by one of its founders, Ferdinand de Saussure, as the study of “the life of signs within society”. Although the word was used in this sense in the 17th century by the philosopher John Locke, it was not until the late 19th and early 20th centuries, with the work of the philosopher Charles Sanders Peirce and Saussure, that the idea of ​​semiotics was born as a method of examining singularities in different films from our world. For example, when we are driving or walking and encounter the different colors of a traffic light, we react to them immediately, almost without even thinking about it. This happens because traffic lights are a sign established over a long period of time and we are taught from a young age how to react to them and we also need a lot of unconscious cultural knowledge to understand their meaning. Our thoughts and actions are not accidental and this is due to a methodical and planned set of messages and cultural conventions that depend on our ability to understand them instinctively and immediately. Semiotics is a tool that ensures that assumed meanings are clearly understood by people. Over time, semiotics has done the same and to summarize its evolution here is a brief summary of the evolution of semiotics: the study of the meaning of words (linguistics). Later it turned to the study of the behavior of society (anthropology and psychology), then became a path towards sociology and philosophy which is the study of culture and society, then it is moved to the analysis of artistic products such as films or literature and has more recently become a practice for researching and analyzing consumer behavior. We thus arrive at cinematic semiotics. Film communicates meaning denotatively and connotatively. What spectators see and hear is denotative, it is what it is and they need not make an effort to remember it. Meanwhile, these sounds and images are conative and the way the scene is shot is intended to bring out specific emotions in the viewer. Involvement typically includes passionate allusions, target translation, social qualities, and ideological suspicions. As Christian Metz indicates, “the study of connotation brings us closer to the notion of cinema as art (the “seventh art”). Within the connotations, there are paradigmatic connotations, which would be a contrasting plane and its undiscovered counterparts in the worldview. A low-angle photo of a rose gives the feeling that the flower is somehow overwhelming or overwhelming because we unintentionally contrast it with an overhead photo of a rose which would diminish its significance. The syntagmatic connotation would not contrast the plane of the rose with other potential planes, but would contrast it with the actual planes which precede or follow it. The importance lies in it since it contrasts with the different planes that we actually observe. Metonomy refers to the ability of a sign to speak to something while still being just a piece of it. An example of this is the Eiffel Tower, which is a metonym for Paris. Cinema uses metonyms generally on the grounds that they depend on the exterior to discover the interior. Another,.