John Donne's metaphysical poetic work A Valediciton: Of Weeping explores the emotional end of a relationship between the narrator and his lover, specifically focused on their response emotional outward shouting to express their adoration towards each other. The poem further follows the speaker's growing opinion of what crying and tears represent and mean to him and his relationship with the listener. Through Donne's extensive and dramatic mastery of metaphor as well as the use of figures of thought, tropes, and non-tropical devices, the reader is able to immerse himself in the world and the reader's imagination when he says goodbye to his lover and also makes us wonder. whether the relationship allows the other to create, or whether it will simply end in destruction. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay The first stanza of the poem depicts a man who is in anguish of leaving his lover and wishes to express how much of the deep effect that grief has on him through the tears shed. The speaker first tells his lover that he wishes to cry in her presence before embarking on a long journey that will separate them and end their relationship. By using the expression; “Let me pour,” he illustrates to the reader that the lover has an element of power over the speaker, as he asks her permission if he can act on his emotions, and using the word “pour.” conveys the idea of ​​an immense wave of tears that he wishes to shed to sum up his sorrow. In line 3, Donne using hissing to describe the metaphor of her tears becoming coins stamped with the image of her lover, this allows the line to swell and lead into the next, showing that this n It is only through the reflection of the lover that tears receive any effect. value. In describing what the contents of the tears mean to him, the speaker describes them as being "pregnant" and "fruit", giving them a metaphor for creation and also the female reproductive organs, as if she were the sole cause of his desire. grief and is responsible for whether it destroys him or not. The last two lines of the first stanza contain a rather complex metaphor, because it could mean either that the speaker is in the anguish of having to separate from his lover in every sense of the word, or that it is a question of 'an act of bitterness and a sudden harsh reality of what their relationship will become: "When a tear falls, it is you who falls, what she carried, then you and I are nothing, when we we are on a diverse shore. » As the speaker's tear falls, as does the inner portrait of his lover, and the tear becomes empty and meaningless, he becomes "nothing." The tears and the ocean that separate the lovers from each other are bodies of water and also signify the separation they will undoubtedly face. The word “fall” also has connotations of infidelity and calls into question the true nature of the relationship. This highlights how truly equivocal John Donne's poetry can be, as it allows the reader to interpret the lovers however they wish. The first stanza of the poem begins the conceit that encompasses the entirety of its three stanzas, in which we discover many ways in which tears can be represented and meaningful to the speaker as well as his connection to his lover. The second stanza begins with another spherical object, but instead of the speaker's tear, it describes the world without any geographical land; a “round ball”. Using metonymy to describe a world that remains to be createdin order to give it meaning, she weaves a link between the earth and the tears of the speaker; without the reflection of the lover to give meaning to his tears, then it is also “nothing”. Donne also uses irony to describe how a worker would create a globe: "And quickly make everything that was nothing, so every tear you bear, a globe, yes, the world, grows by this impression." Just as a worker creates something beautiful from virtually nothing, Donne also managed to take something so simple. like a tear, and transforming it to represent the earth, sky and the entire universe that these two lovers share through its masterful use of conceit. By using a parembola to say “yes, world,” he shows how the tear is a microcosm that symbolizes the macrocosm of the entire world of lovers. The tear is the product of the life and world they created together, and is placed in parentheses to emphasize this. Once again, like the first stanza, the last two lines of the second stanza are susceptible to multiple interpretations: “Until your tears mixed with mine overflow from this world; by the waters sent by you, my heaven is thus dissolved. » The final lines could represent either the physical world of the lovers, or the emotional response to the grief of others. By breaking up, they physically destroy the life they created together, and emotionally, if one of them lets themselves cry in front of the other, they will be tormented forever. It is evident in the last line that the speaker's happiness depends on his lover, and this is illustrated by the hyperbole that love and happiness are "heaven." Vanity has now developed as a metaphor that encompasses the entirety of the world and spiritual realm, illustrating how this love created everything for them, and how their grief has the potential to destroy everything. The final stanza represents the stage in which vanity comes into its own, since the tear has now entirely transformed into another globe; the moon. In this final metaphor we can see what power the lover really has over the speaker and especially over his grief. The first line of the stanza; “O more than the moon” employs assonance and alliteration to make the speaker's statement seem both mysterious and loving, as he adores his lover, but is nevertheless wary of the level of power she holds over him, and it's something he does. I don't want to experience it. It is in this stanza that the turning point occurs; when the speaker changes position by shedding tears and believes that this will only cause more sorrow. This is effective because it highlights the paradoxes within the relationship, as they both want to show the other that they care, but they don't want it to destroy each other. By personifying the sea and the wind throughout this stanza, Donne highlights the unpredictability that is connoted in grief, how feeling an insurmountable amount of any type of emotion is extremely overwhelming and how it usually makes more than harm than good to the person you love. The last two lines of the whole poem end in a rather apt form of a Donne poem; with a paradoxical statement. “Sighing” is usually associated with being alive or lovingly desiring someone or something, but for the speaker it would bring neither him nor his lover anything other than pain and distress. insurmountable grief. We are left with the paradox that the lovers each have the capacity to create and destroy, to build or destroy each other, and this is left for the reader to elucidate. Keep in mind: this is just a sample. Get now.. 2020.