During the visit to Museum Negara, Bijih Timah (tin) (picture 1) in Malaysia's economy is one of the things I learned. Tin is one of Malaysia's first important economic incomes. Because Malaysia has the largest tin resource, which can extract 99% pure tin. From 1849 to 1985, the Chinese owned the largest number of tin mines and tin dredges, and the largest tin dredges were built in 1938 in Ipoh. Tin is also the first form of local currency produced from solid blocks of tin or ingots of standard size and weight. But over time, these ingots evolved into different shapes, for example, in the form of an insert, a turtle and other animals. Tin is also used as a talisman to ensure that a new mine brings good luck and wards off evil spirits. The second highlight I learn about at Museum Negara is BabaNyonya (photo 2). BabaNyonya is due to Zhengho's visit to Melaca, and some Chinese people start to stay in Melaca to start a new life, then they marry local Malay ladies and create a new culture. Baba Nyonya is one of the special cultures of Malaysia. It is a mixture of Chinese and Malay and originates from Malacca and Penang. The name BabaNyonya comes from how the address of the male and female at that time, for people whose address of the male is a ba, the female is a nya. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay. Because the dressing is also very special and unique, because the young woman will wear baju kebaya, for the elder one will wear baju Panjang, but because the male wears tangzhuang. Not only that, their language that they use is the Baba language, similar to Hokian, and also mixed with Bahasa Melayu. BabaNyonya is a mixture of Chinese and Malay, although most babanyonya do not understand Chinese, but they have good Chinese culture, an example of filial piety, honorable and orderly, and also focus on etiquette. The next feature I learned about was cave paintings/drawings (image 3). The ancestors of the Orang Asli and indigenous clans of Sabah and Sarawak abandoned surrender artworks as methods of transmitting and archiving their daily exercises, life experiences and ceremonies. The earliest cave paintings are believed to have been produced by hematite and found at Gua Tambun in Perak and Gua Kain Hitam in Niah, Sarawak. Gua Tambun painting highlights diversionary creatures, for example, deer and dugongs, in addition to some geometric patterns and palm prints. Next, the compositions of Gua Kain Hitam, symbolic boats linked to the practice of burying the body of a deceased person in a boat placed on the floor of the cave. The painting should represent the journey of the spirit into life after death. Other cave paintings were made using a mixture of charcoal and tree sap, and these paintings are widespread in Malaysia. Among these are also found in Ulu Kelantan, which show the gathering of people and present gender differentiation. No authoritative dating analysis has been carried out on these paintings at present. Regardless, the hematile artistic creations of Gua Tambun and Gua Kain Hitam are estimated to be around 2000 years old, while the others could be around 500 years old. An item on display in this tour. Bunga Emas (photo 1) became my choice of exhibit on this tour, as the idea of ​​sending Bunga Emas as a gift of friendship highlights the importance of.