“They are not fit to associate with me,” says young Jane Eyre of her rude and spoiled cousins ​​who consider themselves above her .(29) In this simple quote are all the facets of young Jane: she is angry, passionate, and subtly – but positively – self-confident. It would be easy for Charlotte Brontë to continue Jane's story in this way, presenting her as a perpetually bitter and proud heroine, rendered incapable of growing up by her traumatic childhood, but Brontë refuses to present her heroine as a flat character. Throughout the novel, Jane grows, matures, and learns to forgive, but she never loses her courage and strong sense of self. His growth is manifested primarily in his visit to the Reed household as an adult and in his ability to develop intimate relationships with people, while his withholding of self is manifested in his determination to follow his beliefs both with Rochester and St. John. no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Jane's visit to the Reeds at age nineteen is a remarkable demonstration of her growth. The last time we see her in direct contact with her aunt and cousins, she has a burst of passion: "I am not deceitful: if I were, I would say that I loved you, but I declare that I don't like you: I don't like you most in the world, except John Reed” (38). In her brief but charged speech, Jane reveals all of her suppressed anger over years of mistreatment. She carries her contempt for the Reed family until she meets Helen Burns in Lowood. When Jane tells Helen of her misfortune, she expects her right to anger to be asserted. Instead, she receives a much more constructive response: She was mean to you, no doubt... wouldn't you be happier if you tried to forget her severity and the passionate emotions it arouses? Life seems too short to be devoted to curing animosity or recording wrongs. (61) Although Jane does not fully convey to the reader the effects of this advice, we can assume that she takes it to heart and allows herself to be softened and transformed; when she begins her friendship with Helen, her references to the Reeds' cruelty become fewer and far less emphatic. When Helen dies, Jane seems to take some of Helen's forgiving spirit into herself – not enough to eliminate her confidence, but enough to make her less reluctant. Thus, when our heroine returns to Gateshead, she has risen above her passions and the wrongs done to her, and can declare simply and freely to her dying aunt: "I am passionate, but not vindictive... J "I would have been happy to love you if you would have let me" (242). Even though her aunt said nothing nice to her, admitted to keeping Jane's only other relationship a secret, and even described the petty reasons for her years of harshness, Jane became mature enough to forgive her and not give in. . be negatively impacted by the event. After her aunt dies, she stays behind to help her cousins ​​pack their things and leave Gateshead, and even hides what she really thinks of them in order to avoid conflict. If Brontë had been a less gifted writer, she would have asked Jane to refuse the invitation to see her aunt out of malice and resentment, or she might have had her come and say cruel things to her "family." The fact that Jane is able to stop dwelling on the past and offer help to the Reeds shows both the character's personal growth and Bronte's talent as a novelist. Another facet of Jane's character whichdemonstrates his development is his ability to cultivate intimate relationships with people. . Although her young life is mostly one of pain and abuse, she never limits herself or makes any effort to be cold and unaffectionate. Although she has good self-control, she still allows herself to love others, wanting nothing more than for them to love her in return. Again, this could have been another example where Bronte could have made Jane flat and predictable. Because of her childhood in Gateshead, where her only friend was Bessie, and her adolescence in Lowood, where love was available in smaller rations than bread, Jane could have guarded her feelings so closely that she could have s completely isolate. and refused to have more than a working relationship with others. However, she becomes attached to Thornfield and Adele, and becomes passionate about Edward when he finally reveals his love for her. Even after the unhappy marriage, she is still able to form new relationships with the Rivers. Hostility and distrust would have made her a classic, discontented young woman, but her maturity and aptitude for personal development make her an open and good-hearted character despite her history. Despite her capacity for love and forgiveness, Jane never loses her strength. the sense of self she first showed during her battles with Aunt Reed. Since everyone in Gateshead makes it a point daily to convince Jane that she is useless and evil, Mr. Brocklehurst tries to convince everyone that she is a liar, and the atmosphere in Lowood is not particularly conducive to self-esteem, she would not do it. I was surprised to find Jane, 19, in a state of uncertainty, self-loathing and depression. But such things do not torment Jane Eyre for more than a moment. Although she tends to be very self-critical, insisting on painting an ugly portrait of herself and a beautiful portrait of her "rival" (which fits into the larger pattern of her assurance that Rochester doesn't like her) , this could actually be seen more as realism than self-hatred. Her strong self-esteem is particularly evident in her difficult situations with the two men who want to marry her. Confidence lends the character a verisimilitude, as it would be impossible for Jane to completely change from a feisty girl to a passive, gentle woman without any trace of her previous bravery. When Edward Rochester's existing marriage is revealed to him at the altar, Edward does not want Jane to leave him. He is sure that despite their celibacy, she will agree to continue their relationship and travel with him to France. Given the highly passionate state of their relationship and Jane's fervent love for Edward, it takes a remarkable amount of self-confidence and self-respect to tell Edward that she loves him, but that 'it would be immoral to stay - and leave Thornfield at night, without even looking at your beloved. After this, we again see her self-esteem and her full understanding of what she wants and who she loves when St. John Rivers proposes to her. Again, due to her constant search for love and the tendency of many to try to convince her that she is unlovable, she might have faltered and accepted the proposal for fear of never receiving one again. But she is stronger and truer to his heart: “Like his wife – always at his side, always restrained and always controlled – obliged to continually keep the fire of my nature low, to force it to burn within and never grow a cry. , even if the imprisoned flame consumed vital after vital – that would be unbearable” (410). She knows that a marriage with Saint-Jean would force her to compromise and abandon the only man she.