There are only so many things that have the privilege of being considered masterpieces, but Tim Burton's filmography, notably Beetlejuice (1988), A Nightmare Before Christmas (1993) and Batman (1989), is a collection of masterpieces. Edward Scissorhands from the 1990s is no exception. This film is a fascinating cinematic and artistic achievement. This is a take on the classic Frankenstein story that challenges the ideas of everyday society. Burton's interpretation and perception of monsters and the horror genre is fascinating. This film is extraordinary because of its fantastic use of color, sound and reliance on social commentary. Edward Scissorhands tells the story of a man created by an inventor (Vincent Price) who tragically dies before he has time to finish him, leaving Edward with scissors for hands, as the title suggests. He is taken from the mansion he lives in by local Avon lady Peg Boggs (Dianna Wiest), and is brought to her suburban family which includes her husband Bill (Alan Arkin), daughter Kim (Winona Ryder) and his son Kevin (Robert Oliveri). Edward falls in love with Kim and experiences all the emotions that come with first love, and he quickly becomes a celebrity in the neighborhood until they eventually return him to solitary confinement. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay The use of color in Edward Scissorhands is very remarkable, and it is one of the best in the filmography. Burton draws a very definite line between Edward and the city by making one empty and desaturated with color and the other very painted and saturated. One of the first scenes in the film shows the town with its plethora of houses, each a different color. The residents all wear very bright and colorful outfits, but when you look at the design of Edwards' character, such as the dull color of his skin, his dark hair, his black leather bodysuit, and overall the atmosphere that he has surrounds him and his scissors. hands, there is a big difference. Even the abandoned mansion, where Edward lives, with its jagged edges is clearly intended to contrast with the cookie-cutter suburban streets. When Edward is brought into this new environment, it is clear that the color variation is meant to express how different Edward is from what is perceived as normal, and the lack of color for Edward continues throughout the film. Written by composer Danny Elfman, the film's soundtrack helps establish Edward's character. Its pensive elements highlight Edward's experience of trying to fit into society. During the film's opening scene, happy, lucky music plays as you see the town, leading you to perceive it as a perfect utopia, but the music turns eerie when we first get a look at the abandoned mansion where Edward resides. The music also shows how far Edward is from normality, a theme explored throughout the film, and how, when he is first introduced to society, he is seen as a threatening figure because he is different and that difference always evokes fear. Ironically, the city later proves to be much more threatening than Edward. The social commentary in Edward Scissorhands is brilliant. The collection of characters, each in their own right, helps reveal the broken life of suburbia. For example, Esmeralda (O-Lan Jones) demonstrates the fanaticism of religion and how it can create fears that lead to intolerance and judgment. When Esmeralda first met Edward, or should I say.