The theater production the audience saw was Jasper Jones, presented by State Theater Company South Australia and Flinders University. Based on the book by Craig Silvey and adapted by Kate Mulvany. The style of the performance was a combination of naturalism (Stanislavski) and epic (Brecht). This was demonstrated well as the acting was believable as the main actors played between the ages of 13 and 16, but were older than that. The main themes addressed in the play are racism and ignorance, growth, fear and courage. The main scenes discussed are the discovery of Laura Wishart's body, Charlie's mother Mrs. Bucktin being caught having an affair, and the first introduction of Mad Jack Lionel. Laura Wishhart's body scene will focus on music, lighting and staging. The Mad Jack Lionel scene focuses on costume, characterization, and setting. Charlie Bucktin's Mother Having an Affair focuses exclusively on the acting, costuming, and direction. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Racism arose because there are many assumptions about the Jones and Lu family based on their race and social background. An example of this is when Jasper was known as a "half-breed" and Jefferey was called "Kong". Growing Up shows the audience how Charlie evolves as he deals with surprising circumstances and discovers how to cope with his feelings of apprehension. Young characters are forced to grow and develop quickly when dealing with "adult" problems, for example. Passing, prejudice, infidelity and physical savagery. Bravery is presented at the beginning, as Charlie is afraid of many things, for example his mother's temper, following Jasper, creepy crawlies, threats like Warwick. As the play progresses, Charlie's courage grows. Even though it doesn't go against his feelings of fear, he manages to recognize them and deal with them. The theater production of Jasper Jones directed by Nescha Jelk is a semi-realistic coming-of-age depiction of the social commentary and culture of Australian society in the 1960s. The distinct theater production demonstrates the harsh climate of xenophobia, of cultural stereotypes and destructive racism that existed, as well as the fictional, patriarchal town of Corrigan. Facing the social unrest of the Vietnam War, Mulvany explores themes of community, conformity, and discrimination, which remain true throughout and are personified by Jasper Jones' multifaceted characters. Jasper Jones' theater production coordinated by Nescha Jelk is a coming-of-age transitional portrait of the social editorial and culture of Australian society during the 1960s. The particular theater creation shows the brutal atmosphere of xenophobia, social stereotypes and ruinous bigotry that existed, much like Corrigan's anecdotal, male-centric town. Against the social conflicts of the Vietnam War, Mulvany explores the themes of the network, sameness and segregation, which still remain relevant today and are represented by the multifaceted characters of Jasper Jones. In the scene where Charlie discovers his mother in the act, the elements of costume, acting and direction, Jelk creates a worthy portrait, as Charlie is frozen when his mother trips to the ground from the forest repairing her dress. Mrs. Bucktin is hiding in the forest upstage, and Charlie is downstage and.