Towards the end of the 19th century, in the era of the second industrial revolution, the growth of transport networks, the expansion of urbanization and the strong growth demographic, the demand for entertainment has led to a sudden rise. Initially, spending was primarily on live performances, sports, music, and a newly created entertainment called motion picture entertainment. Motion pictures were first exhibited at fairs as a novelty until they quickly became one of the most important communication tools and the dominant form of popular entertainment. Cinema has undergone many major transformations and developments since the end of the 19th century, including the adoption of color, sound and new inventions of cultural forms, such as the construction of new spaces and the need for a new environment, which allowed it to become a major and international commercial industry at the end of the First World War. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay As a medium conceived in the late 19th century, cinema became contemporary and developed during a formative era of modern science and society. Technological inventions such as radio and x-rays were among the technological advances of this period, but cinema was not only seen as a modern technological creation, it was also a modern social practice. As a radically democratic medium, cinema became the beginning of the emergence of mass society and popular culture. The direct and complex relationships between modernist literature and cinema have become major themes in recent decades. According to Andrew Shail, "among the reasons given for the modernists' affinity for cinema is the idea that cinema was an inherently modernist medium. Even contemporaries of modernism noted an affinity on this basis. The desire to understand how cinema contributed to the formation of modernist literature as it developed in the latter years of the 19th century was recognized by many as the birth of cinema became one of the activities of hobbies most enjoyed by millions of people over the decades to come. The birth of cinema and its technological advances in recent decades have enabled it to become one of the vital economic and social forces that have shaped the modern world. It is claimed that there was not a single person to create cinema, but there are many inventors who contributed to its birth and development. Cinema has evolved through an international process of innovation in different fields. Filmed in 1878, “The Galloping Horse” was the first film ever made, created by Eadweard Muybridge as he took a series of photographs of a rider on a galloping horse for a photographic experiment. In 1880, Muybridge publicly projected these moving images onto a screen, constituting the first known motion picture exhibition. "The warning of modernism in the late 20th century brought about a broader understanding of cinema and photography, showing how Muybridge's multifaceted career, with his taste for show business, placed him at the forefront avant-garde of a new form of entertainment." Cinema, one of the major causes of modernism, may seem inadvisable because it was far from being a novelty at the time of its "birth" in 1895. In the United Kingdom alone, before the launch of the Cinematograph by Lumières, the British public was abletaste animated photographs for almost 17 months, due to the launch of the first kinetoscope "parlor", designed by Edison on October 18, 1894. "Thomas A. Edison's peephole kinetoscope dominated the motion picture field for less than two years (1894-95)'. This was made from a strip of film which was passed between a lens and an electric light while a single spectator watched through a peephole. Initially, Edison considered this an insignificant toy until 1894, when the kinetoscope was publicly exhibited in New York, creating an immediate sensation. Several kinetoscopes sold in Europe shaped the beginnings of the primary device used to project motion pictures. In the past, when we looked at the introduction of projected motion pictures in the United States, we tended to contrast the Edison Vitascope with the Lumière Cinematograph. . Yet Edison and his associates were initially much more concerned about the British threat...the young British film industry had a longer-term impact on the cinema fled by the Enlightenment. By 1902, longer fiction films became the priority, as the novelty of Edison's moves no longer interested audiences. Antoine Lumière, father of Louis and Auguste, known as "the Lumière brothers", had the idea of ​​creating and developing a cheaper and more practical alternative to the Kinetoscope. Antonie encouraged Auguste and Louis to work on this idea of ​​allowing multiple people to watch the projected film at the same time, creating their own device called the Cinematograph (1895). French inventors designed the Cinematograph to be much lighter and smaller than the Kinetograph and was much more functional in terms of projecting film at a speed of 16 frames per second, much slower than the Kinetograph device. Edison (48 frames per second), which allowed it to generate less noise and use less film. The Cinématographe was in use throughout North America and Europe within months of the presentation of the first cinema show to a paying audience on December 28, 1895 at the Grand Café de Paris. They created films such as "The Exit of the Workers from the Lumière Factory" which is considered the first film and L'Arrivée d'un Train en Gare de la Ciotat (Arrival of a Train at La Ciotat). Station) with these films of everyday life which greatly enrich popular culture. By 1905, the brothers considered cinema a novelty and therefore withdrew from the film business as other competing devices appeared. Initially, films were very short, usually only a few minutes long, and were shown in music halls, fairgrounds, theaters and were accompanied by films. music, speakers and audience participation. The novelty began to wear off in 1897, as there were too few films to interest an audience. Yet one of cinema's greatest pioneers, Georges Méliès, worked at a time when the medium was rapidly evolving. According to critics, "cinema's reputation as a medium devoted to entertainment was a checkered destination, not an inevitability." In the age of novelty, from its origins until around 1901, cinema fulfilled a series of functions: it offered its spectators an enhanced experience. a visual awareness of the natural world, access to the farthest corners of the globe, and immediate reporting on relevant events, both local and international. Méliès developed the purpose of cinema because his main benefit to cinema in 1896-97 was to establish the medium's possibilities of storytelling and performance, which marked the beginning of "cinematic grammar" and its recognition of the need to edit the scenes together to tell.