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Essay / Analysis of how Pablo Picasso pioneered a revolutionary style of modern art – Cubism
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso, also known as Pablo Picasso, was Spanish. sculptor, ceramicist and painter born in Malaga, Spain on October 25, 1881. He was considered one of the most influential artists of the 20th century because he paved the way for a revolutionary new style of modern art, the cubist art. movement. By questioning the conventional art of drawing real forms, Pablo Picasso took a giant step in transforming art and the world. Some of Picasso's works, such as “The Girl with the Mandolin,” “The Three Musicians,” and “Three Women,” represent his revolutionary style. Say no to plagiarism. Get a tailor-made essay on "Why violent video games should not be banned"?Get the original essayPicasso showed extraordinary talent in his early years, painting in a creative temperament, where the lines are surprisingly strong and the image undoubtedly bears the “mark of the artist’s individuality”. Picasso's early works were so amazing that Picasso's parents did not refuse the idea of allowing Picasso to pursue an artistic career. In 1895, he entered the School of Fine Arts in Barcelona. In 1897, he enrolled at the Real Academia de Bellas Artes de San Fernando, the best art academy in Spain at the time. Before the era of Cubism, painters paint from their reference point alone, but this is not the case when we interact with the real life object. Life is complex and can only be represented from several points of view. For example, “we can see a tree in the distance, and as we approach it, our perspective on the tree changes.” Pablo Picasso recognized this fact and looked for ways to fully represent real life on 2D planes. He began to push the boundaries, challenging what art was at that time by painting the subject from multiple perspectives. Pablo Picasso also used monochromatic color spaces and simple geometric shapes in his works that create flatness to imply that all perspectives are equal. These approaches create “a simultaneous representation of multiple views on a single image surface.” This era of experimentation and innovations is called "Analytical Cubism" and is considered to span from 1908 to 1912. Keep in mind: this is just a sample. Get a personalized article from our expert writers now. Get a Custom Essay After Pablo Picasso invented "analytical cubism" in 1912, he continued to experiment with his works, in a phase often identified as "synthetic cubism", trying to create something even more realistic, something something that could represent real life which was at that time “complex and ambiguous”. Picasso began to incorporate everyday debris such as newspapers or magazines as materials, which provides a critical sense of reality. He also began to reintroduce depth and vibrant color spaces into his works, which provides a sense of excitement and playfulness absent in his early Cubism works. These methods create an effect of "ambiguity" in the viewer's mind, expressing the contradiction between illusion and reality..