Relationships reach their limits for a variety of reasons, the most common being that many people look for things they won't find in that particular person, and when Things start going downhill, this leads to the end of the relationship. When you compare or distinguish between what is real and what is inauthentic, you see many different perceptions of the relationship. In her poem “Living in Sin,” Adrienne Rich observes a woman's awareness of her physical surroundings, the tone of her relationship, and difficult timing. Throughout her poem, she metamorphically compares her relationship to a studio. She then realizes day and night what is factual and false in her relationship, but she still has difficulty admitting it. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay In her uncompromising relationship, she began to take on many unwanted and unintentional responsibilities. She thinks she doesn't need to clean the surroundings of the studio or dust the furniture because in his eyes, and he thinks she believes the studio would maintain itself. She ignores the couples' pâté, the piano with the Persian shawl and the cat that stalks the picturesque, fantasizing that all these are good things. However, the furniture needs dusting, she has food everywhere and mice are chasing the insects that are kept in her studio, she is lost in her dream world and forgets what awaits her. Usually we expect the night to be the disaster of a lifetime and the light of day to shine upon us, but in his poem, the night conceals all its battles, while the day continually makes them evident. the relationship was desired for her to live a perfect life with the man she loves, but things change when she realizes that everything is not what it seems. The title describes sin, linked to one's religious beliefs. She lives in sin and does not obtain normal well-being for herself, which may be a difference from herself or from society. Everything she wants or dreams of is no longer the same, it becomes a dream that is difficult to wake up from. Every morning, at five o'clock, the stairs shake and the milkman arrives. Everyone sees the evidence that she is incapable of taking care of herself and the studio. Rich fights against nature and against herself, against society and against herself. She also uses tone to differentiate the effects that are occurring. At first it starts with a perfect but not so perfect relationship. The pair plate and the piano with a Persian shawl dictate a good relationship. Every line shows the light of day, every day is bad, but every night, for her, it's like she's in love again. But when she mentions that the piano was out of tune and he shrugged in front of the mirror, rubbed his beard and went outside to smoke cigarettes, the tone changes. This shows the quiet side going on in his life. Her boyfriend's actions reflect how she views the relationship. She seeks boredom and a life she doesn't want to live, but when night comes, she tries to love it. During the night, she dreads realizing how relentless the next day will be. Additionally, using the simile, she thinks that daylight would give the impression of a relentless slag walking up the stairs. Her world is upside down, and as she steps on everything dirty in her studio, she also gets lost. She expects everything in her relationship to work out the way she wants, but when she gets realistic, her world slowly falls apart. Keep in mind: this is just one.