At first glance, Ibsen's A Doll's House seems to allude to feminism, talking about the differences in the roles of men and women. Rises in feminism and readers' subjective perception led many people to draw feminist motifs from the text, as they were more inclined to connect the play to personal experiences. In reality, ADH was just a realistic play telling the story of his lifelong friend Laura. Ibsen's play is an example of realism rather than feminism because it faithfully depicts the characters and their conflicts. Everything is presented realistically for what it is, and this is reflected in various aspects of A Doll's House. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay The marriage of Nora and Torvald is just one example of the realism described by Ibsen. Despite the frequent use of nicknames and friendly teasing, Nora's deception and secrecy regarding her illegal bank loan contrasts with that of a "loving" partner. She even goes so far as to convince Christine and Dr. Rank to help her keep the secret after finding out. Likewise, after realizing what Nora had done, Torvald's one and only concern was his own reputation and his job. He lashes out at Nora, calling her a "miserable creature" and exclaiming "Now you have destroyed all my happiness", unable to understand any valid reasoning for his actions. As a result, their marriage and Torvald's true character are revealed for what they truly are: simply a pretext. Nora herself emphasizes this in the play's conclusion, proclaiming: “But our house has only been a playroom. I was your wife doll, just like at home I was Dad's child doll. . . That's what our marriage was, Torvald. “Ibsen does not seek to glorify their relationship and simply states facts. Nora and Helmer “played” a marriage rather than living in an authentic partnership between husband and wife. Ibsen also treats the character of Torvald realistically as his vanity and selfishness are revealed over the course of the play. His concern for Nora is not out of love, but rather because he treats Nora as his inferior. Since she cannot make reasoned judgments herself, he must watch over her and tell her what to do. “You never loved me. You only found it pleasant to be in love with me. "As Nora points out, Torvald never really loved her for who she was, he was only amused by the idea of ​​having a submissive wife to do his bidding. As a gender, though It is common, realism does not specifically require an unhappy conclusion. Rather, it is more important that the conclusion remains coherent and reasonable given the circumstances presented. character was developed throughout the play Unlike Laura Kieler's ending, Nora does not have such a "happy" ending with her and Torvald embracing each other as wife and husband. and begs Nora to stay, she rejects his promises, unable to believe in her integrity. Ibsen also does not attempt to romanticize Nora's departure. She leaves behind her children whom she loves and must face the cruelty of the world alone. Her future will not be easy, but nevertheless, she must still leave. Keep in mind: this is just a sample. Get a personalized article from our expert writers now. Get a personalized essay The realism built during the plot results in this final moment of suspense, devoid of.