In Clint Eastwood's film, Invictus, unity can be defined as patriotism, love and loyalty to country, which is manifested in a feeling of social inclusion and harmony.Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay Additionally, it is the feeling of joy and satisfaction in reaction to a victory, sporting or otherwise. After the film's triumphant conclusion, viewers are led to understand the bygone days of tension and hostility, and that a shared sense of joy and pride has taken their place. As the plot unfolds, Eastwood uses the portrayal of minor characters to demonstrate that national unity and celebration arise from an individual's decision to forgive and forget. Moreover, as the Springboks slowly improve their negative image, their path to victory and winning the Rugby Championship also becomes a reason for South Africans to come together to proudly celebrate. Finally, in the portrait of the compelling and venerable political leader Nelson Mandela, viewers see that his ideas, words and actions played a central role in creating a sense of unity among all South Africans. Eastwood reveals that South Africans eventually experience a sense of satisfaction and joy in letting go of the past. This is clearly reflected in the film's linear progression from unrest and racial segregation to the united celebration of the Springboks' victory. In particular, in the film's early opening scenes, Eastwood constructs a scene of the sun rising above the dilapidated makeshift huts of the poor townships. This is symbolically representative of the renewed hope aroused in South Africa following Mandela's accession to the presidency. This photo also foreshadows the dawn of a new day and the closing of a very dark chapter in South African history. Where deep-rooted conflicts and social segregation once prevailed, the situation has gradually improved in the post-apartheid period. In order to dramatize this, Eastwood uses the minor character, Sipho, to establish how a commitment to forgiveness leads to individual satisfaction and joy. When moviegoers first see Sipho, he is described as an orphan. Using this scene, Eastwood alludes to his traumatic and tragic past, allowing savvy viewers to make the connection that his parents were likely killed as a direct result of apartheid violence. As if to add insult to injury, Sipho relies on the church's charity box for warm clothing. When the camera zooms in on his disappointed face as the white Afrikaner hands him a Springbok training jersey, moviegoers fully understand the extent of social segregation. In the actions of Sipho, who quickly turns and runs away from the jersey, it is abundantly clear that the Springboks and rugby are the last thing black South Africans want to be associated with. Yet by the end of the film, through a combination of herculean efforts on the part of Pienaar and Mandela, social division loses its appeal in favor of social cohesion. Again, Eastwood uses Sipho to represent this stark contrast. Sipho is shown secretly trying to listen to the broadcast of the Rugby World Cup final from outside the arena on the police radio. When the Springboks win, we see him celebrate enthusiastically: the team and the sport are no longer a source of tension and friction. Furthermore, as a symbolic representative of.