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Essay / The Dark Side of the Cultural Shift from Humanism to Post-Humanism physical limitations/binding humanity at the base level. It is here that post-humanism promises a condition in which humans and intelligent technology are closely linked through the development of science, including hereditary construction, computerized innovation and bioengineering, as a business aimed at modifying the human species to modify its body and its appearance, to alter the human. lifespan, mental aptitude and faculties. A vicious side to such promise of non-therapeutic human enhancement is visible in 21st century Hollywood films, such as in the Anglo-American science fiction film Luke Scott's Morgan, in which an artificial being endowed with synthetic DNA infused with nanotechnology. " named Morgan is more wily than humans and is growing rapidly. By the time the girl breaks free, the staff members find themselves in dangerous confinement with a temperamental and ferocious engineered human. Additionally, in the film Splice, the French-Canadian science fiction film by Vincenzo Natali explores much of the moral ramifications of creating new remixed life from genes developed from Earth. Third in Elysium American science fiction action film produced,. written and directed by Neill Blomkamp. Set in a future where only two worlds exist: the rich, who live on an artificial space station called Elysium, and the poor, who live as tragic survivors of Earth. custom essay on “Why Violent Video Games Should Not Be Banned” Get the original essayTags: ethics, hybrids, enhancement, humans, transhumanismIn a traditional sense, humans have been considered to be solidly and unquestionably classified as being. high level of operation. animals, but their biological and physical constraints limit/tether humanity at the base level. It is here that post-humanism promises a condition in which humans and intelligent technology are intertwined by means of developing science to modify the human species by modifying its body and appearance, changing lifespan human, mental aptitudes and faculties. Transhumanism is a way of thinking that attempts to move us toward a post-human condition. Using both advanced nanotechnologies or radical innovative enhancements and through a mixture of biological advances such as genetic engineering, life extension therapies, neural interfaces or brain mapping, transhumanism supplants human consciousness by these artificially created intelligent cyborgs or cross-breeds. putting an end to all human realities such as illness, aging and even death. They may allow us to enjoy more remarkable “morphological freedom” through prosthetics or hereditary design. Transhumanism expects to use complex innovation to engineer and revise the perception and physiology of the human population to superhuman levels because they have confidence in the compatibility between human personality and computer hardware. In short, equivalent access to contemporary technology for all is what transhumanists advocate. The ultimate goal of transhumanism is to progress from the current human condition towards overcoming other physical constraints due to the natural limitations of humanity. The scholarsTranshumanists argue that not only is there an imperative for people to progress and improve the human condition, but also It is conceivable that humanity is entering a transhuman phase, in which men are responsible for their own development. Natural evolution at such a stage would be replaced by intentional changes. “Utility” by Jeremy Bentham is the contrast between net happiness and net suffering. Many transhumanist advances can possibly reduce this suffering. In order to obtain the greatest utility, we should limit suffering. Perpetual human existence is also sought by some transhumanists because it would erase the suffering caused by the fear of death. Disability can be eliminated through the therapeutic means of transhumanism through the use of intelligent prosthetics. Genetic engineering could be used more broadly to avoid having a child with a hereditary disability by rejecting such embryos or including characteristics of guardians' choices. Long-term transhumanism by expanding the ability of humans to solve neurological problems, create bodies or limbs, ideas/thoughts allows people to live without any restrictions imposed by their physical structure and allows human beings to be their own masters. These potential changes to the human body are proposed by transhumanists because of the belief that every person can live a satisfying life and that the normal absence of the body should not disrupt the general flow of such presence. Ultimately, transhumanism improves the existence of humans by expelling other physical aspects that can weaken or even execute us. However, many argue that the end of suffering does not necessarily promise happiness. Happiness is not determined by the overall amount of suffering, but rather by one's passionate mentality and position in relation to others. Some have suggested that suffering contributes overall to a fuller life experience. Ultimately, suffering is a fundamental part of the human experience. What the newspaper asks is: who could administer and be interested in this improvement of the population? Some transhumanists clearly show that these are a small number of coerced people. In doing so, they come closer to the impacts of selective breeding called “eugenics”. It is the study of improving the human species by specifically breeding individuals possessing explicit, "attractive" innate characteristics in order to eliminate infections, disabilities, and other "annoying" human qualities. It was very well known to the Nazis. Although transhumanism does not expressly encourage breeding for the dominance of such an explicitly superior group, the strategies adopted by some prominent transhumanists aim at a similar goal. This article, with the aim of better understanding and evaluating transhumanism and its vicious side of such a guarantee of human improvement, is studied through cinema. Films can serve as case studies to discuss the ethical issues at stake. Additionally, film connects generations, individuals and societies, allowing for an exchange of perspectives. In some 21st century Hollywood films, for example Morgan (2016), an Anglo-American science fiction film by Luke Scott, Splice (2009), a French-Canadian science fiction film by Vincenzo Natali, and Elysium (2013), American science fiction film. Action-fi film produced, written and directed by Neill Blomkamp. The hybrid biological organism named Morgan, with synthetic DNA infused with nanotechnology, is an artificial being in terms ofautonomous decision making and enthusiastic responses. He is more intelligent and matures quickly than a normal human being. Morgan, who is actually only 5 years old (although much more astute and tougher than her years) is a product of the corporate fixation on genetic engineering and is not a distant variant of a "human" being. It's a testing company that lived its childhood in a glass box. The film opens with a volatile scene in which one of her guardians (Jennifer Jason Leigh) tells her that they will have to reduce the time she invests outside – the time Morgan so fondly values . She reacts to the news by jumping out of her seat and trying to gouge out the guard's eye. So here's the thing: Morgan has emotions, but she also has a deeply overdeveloped (or maybe just uncontrolled) identity. She will look attentively at a speaker across the table with the hope of slaughtering him; she can watch a surveillance camera and leave the person watching feeling like they are watching them back. Just as the young woman breaks free and begins to go crazy, the staff finds themselves in perilous confinement with a strange and wild artificial human. Here, the authorities choose what Morgan should and should not do. She is chained, her emotions are not valued, she is constantly under the surveillance of the camera. Companies need to prepare it to become the perfect species to remain an extraordinary case of human intelligence instead of letting it be the means by which it is. Splice (2009) explores a ton of moral ramifications related to creating new life from advanced qualities on Earth. What is science improving people with counterfeit bodies, mind-boosting drugs or genetic engineering turns into a bad dream where man is obligated for the innovation he makes. Splice is a film about Clive Nicoli (Adrien Brody) and Elsa Kast (Sarah). Polley), a couple of researchers who work in the field of hereditary conception. The couple is creating hereditarily engineered animals whose tissues contain hormones and synthetic substances that could potentially cure wild human infections. Clive and Elsa's lab, Nucleic Exchange Research and Development (or, for short, NERD), is owned by a pharmaceutical organization that takes responsibility for their work cautiously, realizing that the researchers' demonstrations contain leapfrogging potential and, considerably, benefits. more important. After a few failed experiments and after their bosses forbid her from attempting to clone or modify human DNA, Elsa inserts her own hereditary material into an embryo. Consequently, the couple is troubled by a mysterious child who possesses both human and non-human DNA. The animal, which Elsa names Dren (Delphine Chanéac), a rearranged word for "geek", develops at an accelerated rate and soon poses both a physical and sexual danger to its two new parents. Dren leads Elsa and Clive to perform sexual and brutal acts that become progressively debased and frenzied as the film progresses. What started as something juicy turns into a slippery, gooey, bloody thriller equivalent in which Dren suddenly undergoes a sex change and violently attacks Elsa. This leads us to conclude that the integration of machines and science undermines our very sense of humanity and that they are excessive without passionate emotions. Elysium (2013) depicts two worlds in 2154 - an unhealthy, overpopulated Earth and Elysium, a space station where world-class living is far from the steaming masses in superbly maintained homes. Malignancy can be restored in seconds on Elysium.Set in a future where there are only two classes of people: the wealthy, who live on an artificial space station called Elysium, and the poor, who live on a dystopian Earth. Those who remain on Earth find themselves without access to the modern innovation that makes life on Elysium a virtual paradise free of disease and other problems that plague society. Those lucky enough to live on the Elysée are able to use their maximum potential because individuals are devoid of the limitations of their own physical body. The important topic covered in this film is the role of innovation in improving human presence and how inconsistent access to such innovation poses a significant risk to the overall well-being of humanity. This idea therefore constitutes an important part of transhumanism, defined by the famous transhumanist. Nick Bostrom of the University of Oxford as "an international cultural and intellectual movement whose ultimate goal is to fundamentally transform the human condition by developing and making widely available technologies aimed at significantly enhancing human intellectual, physical and psychological capabilities ". Fundamentally, transhumanism is the belief that disparities, physical/mental gaps, and cultural problems caused by human barriers can be overwhelmed by expanded access to innovation. Transhumanism believes that it can and should benefit every individual, regardless of national identity, sexual orientation, race, religious beliefs, gender, or other factors, through the wonders of innovation current. For transhumanists, it is inconceivable that individuals in developing countries cannot exploit their natural potential due to a lack of access to innovation widely available in wealthier countries. Such inconsistent access to innovation implies that not only will these individuals suffer, but humanity as a whole will suffer due to potential commitments that will never be made by a portion of the world's population due to their lack of access to meaningful innovation. Transhumanism is like humanism in that it equally incentivizes all human life and its dependence on science and human progress rather than prayers or religious beliefs to improve humanity. Elysium is positively implied as an ethical assessment of disparity, a forward-thinking story of those who are well-off versus those who are less wealthy. The wealthy of Blomkamp's Earth in 2154 live on the space station Elysium, a transhumanist paradise where diseases are wonderfully cured while the entire earth below has been transformed into a massive ghetto. Elysium is the mother of all closed networks: the individuals inside are rich and wonderful while those outside suffer. Elysium shows us that innovation can extraordinarily improve the lives of those who experience its benefits. It further shows us the nuances of the harm in allowing only the wealthy to enjoy such innovation and the need for egalitarian philosophies like transhumanism which advocates both expanded use of innovation and equivalent access to its advantages. Conclusion What does transhumanism mean for those who are not enhanced? Like most frontline medical advances today, the first and most desirable transhumanist devices will be reserved for the wealthy. Wealthy and special people can use these gadgets to strengthen their current social position. Efforts could be made to ensure that equivalent improvements are accessible to all, but this would limit the benefits that could be ?.
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