“Behavior is guided by existing demands and biological needs, and actors formulate a strategy to effectively modify empirical reality in their own interests. » Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Many 20th-century communist writers responded seriously to the tragic dimension of revolutionary violence, sacrifice, and social injustice. Nevertheless, Brecht's works were exceptional, his technique of dealing with these issues in a comic way leaves a deep impression on the audience, who anticipate the wave that demands the need to intervene and change the world. In 1926, Bertolt Brecht's first impression with Marxist philosophy stemmed from the works of Karl Marx and Friedrich Engels which he studied systematically under Karl Korsch as a professor. As he says: “It was only by reading Lenin's State and Revolution, then Marx's Capital, that I understood, philosophically, where I was. » Korch was originally a member of the German Communist Party, but was expelled in 1926 due to his opposition. to their interpretation of Marxist theory. He perceived their interpretation of Marx's theoretical and philosophical framework as a popularization, manipulating Marx's original conception of materialism to his political advantage. In his view, Lenin and Stalin distorted the Marxist dialectic into a cruel version of a materialist vendetta and subordinated its complexities to very specific party interests. But Brecht did not blindly follow Korch's position, he found few of the principles of Lenin and Stalin necessary for a social revolution within the existing structure of society. In Bertolt Brecht's play, Life of Galileo, Brecht imagines society as witness to the bourgeois form of revolution. supported by an ideological apparatus. The state apparatus plays a central role in protecting the hegemony of the dominant class ideology. To eliminate existential anxiety, an individual aligns himself with the interests of the state and the ruling class which makes a utopian promise to also incorporate the interests of the subaltern class into the political dynamic. The two main characteristics of Marxism commonly found in Brecht's works are the method of achieving accuracy and the dialectical form of thought. Using songs in his plays, Brecht draws two parallel realities that do not conventionally follow the ideal parameters of moral and emotional deficiencies as the measuring scale used to reach the ultimate destination called truth underpinned by the obvious horrors of reality. In these songs, Brecht interpolates predictable changes occurring within the larger framework of reality based on the bourgeois notion of science and truth. The song of four generals, in the second act entitled The Fight in the Northern Mountains, the Chalk Circle of the Caucasus, illustrates the lyrical beauty supported by the scientific investigation of victory based on the Marxist tool of investigation into human behavior; Despite all the complexities associated with the existing situation, this song praises the courage with which Joseph Stalin, in the face of severe opposition, attempted to establish Stalinist socialism in Russia: “Four generals left for Iran. With the first, the war did not agree. The second never agreed. won a victoryFor the third, the weather was never favorable.Four the fourth, the men would never fight.Four generalsAnd not a single man!Sosso RobakidseWent to march towards IranWith him, the war wasif agreeHe had soon won a victory. For him, time was always right. For him, men would always fight. collectivized to erase the egalitarian objectives of the Bolshevik revolution. Stalinist socialism provided fertile ground for urban industry, despite considerable rural opposition. After the death of Joseph Stalin, Brecht replaced the Russian names in the play with Georgian names. This song pays tribute to Joseph Stalin and Georgia was his native country. Sosso is Joe's Georgian name, it was Stalin's nickname when he was a child. Without Stalin's support, Brecht would not have survived as both a Marxist and a poet intent on changing the world. Brecht fluidly illustrated his psychological perception of Marxism and the communist point of view. In his plays, he establishes a dichotomous relationship between an individual (identity conceived as "I") and the formulation of "unity", manipulated by the capitalist means of production to progress. Brecht's plays expose the structural foundations and comic exchange of dialogue. conflict between what is and what should be; between the actions and thoughts of the subject and the harsh reality imposed on them. The prologue to The Caucasian Chalk Circle begins with the land dispute, taking place in the Russian province of Georgia, a modern society meeting between delegates from two Soviet collective farms arguing over their respective rights. at a piece of land. The prologue elucidates the collective class struggle. The Kolchos "Galinsk", a goat herder, had been evacuated from the valley on government orders as Hitler's armies advanced. After the expulsion of the Nazis, the Kolchos plan to leave again, because the peasants are attached to their former homeland and because their goats prefer grass there: "Old man, it's true: because you can't love That. Because it's not what it used to be. And why not? Because our goats don't like new grass. The pastures there are not good, even the morning smell in the morning. (Several people laugh.) Please include this in your report. » Members of the neighboring fruit-producing Kolchos, “Rosa Luxemburg,” had defended the land as guerrillas in the surrounding mountains. In order to stop the enemy, they came up with a plan to rebuild the village after the war so that it would be larger and more productive. The plan included an irrigation project to develop new vineyards. The project would not pay off, however, unless the disputed valley could also be used for its purposes. In the discussions led by the capital's experts, the arguments of common sense prevail over those of love of the homeland, because tact must instead be considered. of the earth as a tool with which something useful is produced. The delegates from “Galinsk” are reluctant to abandon their former home. But they realize the practical nature of the proposals and, moreover, in their new home they will receive state aid to help them raise horses. In the midst of this discussion, Brecht invented a fable (Grusha) which struggles to align itself with the territory of moral and spiritual truth, due to its socio-political dynamics, is an offspring of capitalism. Brecht, thanks to his dramatic technique, alienated the effect of external reality that does not allow each class to satisfy its needs equally and at the same time shows how this affects the individual and how he constantly tries to cope to the external reality in order to live there. cooperation with external reality, based on the scientific search for truth. For the characters in Brecht's world, public cooperation is the primary prism for understanding the meaning of justice and.