In many different fields of study, people can draw on the past to better understand the present or what will happen in the future. It has been debated whether originality can come from poets prior to their contemporaries, whether it comes from the individual or from the aura given by a work of art. The idea of ​​authorship and originality is defined in TS Eliot's “Tradition and Individual Talent” through comparison and contrast, Bloom's “Anxiety of Influence” through the philosophies of Freud and Nietzsche and “ The work of art in mechanical reproduction” by Walter Benjamin through cinema. and photography. Eliot believes that originality can come from "tradition", contrary to popular thinking, which believes that only a separation from tradition can create originality. Poets are praised for their individual work in finding originality. According to Eliot, these poets are praised for misconceptions. Eliot says "but the most individual parts of his work are perhaps those in which the dead poets, his ancestors most vigorously assert their immortality." The most “individual” part of a poet comes from his appreciation and influence of poets of the past. He also says to truly judge a poem as a great work and to bring your creativity together; there must be a comparison and contrast between earlier works. Eliot has a dynamic idea of ​​tradition. For Eliot, tradition is constantly changing and becoming different. Writers of the past guide writers of the present. Writers of the present have the capacity to modify the past. Comparing and contrasting past works is not about seeing whether the poem is bad or not, but about analyzing. When comparing and contrasting a work of art, one should not judge the poem based on the criteria of the p...... middle of paper ...... the actors in the film are not obligated to change his face due to the excitement of the audience like a theater actor. The audience cannot interact with the actor in the film. Benjamin points out that a loss of authority can be totalitarian because it does not allow the viewer to choose which side of the story to believe. In reality, it leads the viewer to a specific side of the story, leaving out other sides of the same story. This is negative because it obscures the audience's view of the artwork and does not give the full experience of seeing the artwork in person. When looking at a painting, one must be fully focused to understand the understanding of a painting as opposed to a film. A film doesn't require as much concentration as a painting. Benjamin says art and cinema are “exceptional distractions” in habit-building. However, the film may cause movement among large groups of people.