Frankenstein by Mary Shelly tells the story of a scientist, Victor Frankenstein, and his creation of a monster distinct from all the creatures in the world. The creation of Frankenstein parallels Milton's Paradise Lost and God's creation of life; Victor Frankenstein symbolizes God and the monster symbolizes Satan. The parallel emphasizes the moral limits of humanity through Victor Frankenstein and the disjunction and correlation with Paradise Lost. Shelly connects the two stories through Victor's creation of the monster and his "fall" from humanity, weaving a complex web of allusions through her characters' insatiable desires for knowledge. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Although Frankenstein begins his studies innocently, his quest for forbidden knowledge causes him, too, to fall from grace. When Frankenstein exceeds the bounds of proper science and refuses to name his son as his own, he becomes the cruel master of someone he considers satanic. At the same time, his creature sees Frankenstein the same way Satan sees God: a tyrant rightly deserving of destruction. Just as Satan cannot distinguish between justice and vengeance, Frankenstein's monster feels he has no choice but to take revenge on an unjust creator. It is Satan and the monster who first invoke the reader's compassion, as the monster seems benevolent in nature as he observed the "beloved" De Lacy family and took "delight" in contributing to their labors. He also demonstrates altruistic behavior by saving a drowning girl and lighting a fire to warm its creator, perhaps making him more sympathetic than Frankenstein, who forgot his family in his aspirations to "become greater than his nature allows. The monster states, after reading Paradise Lost and other writings he found after eating the metaphorical apple, that "sorrow only increased with knowledge", as he became aware of through the Of Lacey, of things like love and acceptance that he came to desire. For. His good intention could also be interpreted by hearing Saphie play music that he found "so hauntingly beautiful that they brought tears of sorrow and joy to me at the same time." Satan's ruin also came from his quest for knowledge, leading both "men" to exile from the people with whom they seek acceptance. As the monster lives in a cabin, we recall that he does not only live outside physically, but emotionally since he is only a simple voyeur of family life by watching the De Lacys, and this social exclusion is to the origin of his murderous behavior, once again relating to Satan who was excluded by his creator. We could again relate this to Satan who seeks the earth and who is also "in the grip of deep despair", just like Shelley's characters. In Frankenstein, the monster is forced into evil by man's malice towards him. It's different in Paradise Lost, Satan is ruined by his refusal to worship God. The monster had no choice but to become evil, where Satan did. Ultimately, however, they are both seen as horrible creatures. Frankenstein is also like God, as he created his own version of Adam, and the monster he constantly calls "demon" and "devil" reminds him of; “You, my creator, hate me…” his call resonates through the humanity of every reader who has ever felt alone or incomplete, but these feelings must, however, be changed as the monster commits crimes.