The two main inspirations for my works are David Padworny and Joshua Miels. They inspired me with their style and application of painting techniques. These artists, as well as my own development, allowed me to express my interpretation of the theme of migration. I did it through two portraits of my brother at different ages. These artists also allowed me to develop my own understanding of emotion and internalize it in order to incorporate my new understanding through my works. The artist who first introduced me to color was David Padworny. His work has an abstract quality and, like Josh Miels, he tries to convey intense emotion in his works. He usually paints from a sketch, blurred photographs or memories in order to maintain an energetic and creative mood in his paintings. He was really tired of emphasizing emotion in his works, exaggerating facial expressions and sometimes he even painted tears on his subjects to further express what they were feeling. He mainly paints portraits and his works are extremely expressive both in the choice of colors and their application. This expressive application also helps emphasize emotion because it can convey what the artist was feeling while painting the portrait as well as emphasize the emotion felt by the subject. Sometimes the expressive quality of his works was so intense that it led to the point where one had difficulty identifying the subject. It also highlights the extent to which he bordered on abstraction in the way he painted portraits. Before coming across Padworny, my idea of ​​using colors to create an almost naturalistic painting was non-existent. Being inspired by Padworny allowed me to explore a world of color that I hadn't touched before. By copying two of his works, I was able to understand how to use color to create tonal value. This helped me later when I started painting my first portrait. Padworny painted with thick layers of impasto, which introduced me to texture for the first time. I was also influenced by his idea of ​​capturing emotion through exaggerated facial expressions. So we see in Portrait Two of my brother, that I painted an exaggerated smile on his face to emphasize the joy he felt. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay After absorbing everything Padworny had to offer, I began to formulate my idea using theme migration. I then came to the conclusion that Padworny's work was too expressive and abstract for what I wanted to do, but his work remains a key concept in formulating the skills I needed to produce my idea. I then came across Joshua Miels, who is a contemporary artist. He mainly paints portraits. This intrigued me because my whole idea was based on two portraits of my brother. His main goal was to capture the emotion of his subject, just like Padworny. He wants the viewer to see the emotion that the subject is trying to hide. When I photographed my brother, his emotion in that moment played a major role in how the artwork is depicted as a whole. His face displays a huge smile. That sums up his personality. The fact that I found Josh Miels as an inspiration fits perfectly as he paints a range of bright colors, which further emphasize my brother's personality. Miels, Padwomy and I use a spatula to apply paint to our canvas (my canvas was paper). This contributes tobringing the aspect of texture to their work and to my work. However, Miles doesn't just apply the paint to the canvas and declare it finished. His work takes him a lot of time because, to create his texture, he paints by applying several layers upon layers. A difference in the appearance of our final works would be due to the fact that Miels and Padworny paint with oil paints while I use acrylic paints mixed with acrylic textured paste. Their works have a glossy finish while mine have a matte finish. Miles' main goal in creating his works was to allow people to understand and connect with emotions on a spiritual level. He has strong opinions on the freedom to express his emotions. He particularly wants men to be able to do it. He thinks men often think they have to live up to the stereotype that they have to hide how they feel. As a result, most of them are men. By making most of his portraits of men, he tries to create a greater impact for the viewer. This had a major impact on me because, even though our themes are different, it allowed me to find a deeper meaning in a man's emotion. It also influenced the photograph I chose to paint of my brother when he was younger. My decision to use a photo of my brother smiling when he was younger was basically to express how, even though time passes and we grow physically, our feelings always have a way of staying. The fact that both portraits bear a smile is similar to how Miels had male portraits with sad expressions, as it brings awareness that men have the capacity to feel. In doing this I played on Miles' concept of confronting the viewer with emotion because it makes them think about why this subject feels that way as well as what happened in the time that flows between these two portraits. Joshua Miels has influenced my work in many ways, but unfortunately we can conclude that our themes are not comparable. Miels was entirely about emotion. He also had a long family history of anxiety, addiction and depression. This allowed him to create his works. My theme for this work, on the other hand, has emotion as a subcategory while my dominant theme concerns, as previously stated, migration. I interpreted the word migration to mean growth. The entire work consists of two paintings, one of my brother at five years old and the other of my brother at twenty years old. Keep in mind: this is just a sample. Get a custom paper now from our expert writers. Get a Personalized Essay They are placed side by side to clearly highlight the power of growth and the natural way the body develops. He grew from a child to an adult. Because the expression of emotion in both portraits is so similar, it grabs the viewer's attention because they are now faced with the question of whether the migration of the physical body from child to adult actually changes his emotional growth. It is clear that although David Padworny sparked my interest in painting with color and texture, it was Josh Miels who ultimately had the greatest impact on my work. Miels' painting style is the style I chose to adapt and personalize. It took me a while to figure out how to work with colors in this way and so I started by painting using naturalistic colors and slowly started adding a wider variety of colors until I end up using only.